A STUNNING LARGE-SCALE COMMISSION BY ARTIST JAGANNATH PAUL

Over the years of coordinating commissions at Laasya Art, I have observed that commissioned paintings — and their collaborative nature — often challenge artists to create something completely new and outside of their usual process, resulting in some of their best works. This is certainly true for a recent commission by artist Jagannath Paul, which led to one of his most stunning and ambitious paintings ever!

The client’s brief truly gave us wings to fly with, inspiring both me as a gallerist and Jagannath as an artist. Although the client was new to Laasya, after a few initial conversations, he wholeheartedly put his faith and trust in us. This pure confidence inspired Jagannath to create something that he had never done before.

In the brief, the client explained the three most important pieces of his vision:

1. He wanted a bold, clean painting with multiple ‘layers’ that would be a conversation starter.

2. He wanted the faces of a man and woman in the painting in Jagannath’s signature style, but he explained that the woman should dominate the composition, as a representation of women as the center of the home. The client specified the woman should wear a bindi in the color of sindoor.

3. Finally, like Jagannath, the client grew up in West Bengal, so he wanted the painting to feature Bengali motifs that would uniquely refer to his upbringing and his culture.

Jagannath initially focused on the background of the painting, integrating elements of Bengali culture. He incorporated references to local art forms, from kalighat paintings to drawings of traditional Bengali dance forms; key landmarks in Kolkata, like the Howrah Bridge; and legendary Bengali figures, including Nobel prize winner Rabindranath Tagore and freedom fighter Netaji Subhash Chandra Bose.

At last, Jagannath painted faces on top of this background, using a softer color palette to allow viewers to see the stories underneath. Here is an image of the completed painting.

Below are images of these various details in each canvas, as they appear in the final painting.

The top left panel features:

• The Victoria Memorial in Kolkata

• The Kolkata race course (by the woman’s right hand eyebrow)

• The Howrah Bridge (under the woman’s left hand eye)

The top right panel features:

• Subhash Chandra Bose, who hailed from West Bengal, riding a horse

• The Sundarbans, a national heritage site with tigers, crocodiles, deer and other animals

The bottom left panel features:

• A blue mask from the Chhau folk dance (in the bottom right corner)

• Line drawings in the style of Kalighat pattachitra, a type of natural dye paintings of the goddess Kali typically seen at Bengali temples

• Lines from a poem by Rabindranath Tagore, written in English and in Bengali: When God is dead, religion becomes one

The bottom right panel features:

• Goddess Durga, who is worshiped widely in West Bengal including a renowned festival in the early fall

• Durga’s four children: Saraswati, the goddess of the arts and learning, with a veena (musical instrument); Lakshmi, goddess of wealth, standing on a lotus flower; Ganesha, god of good fortune; and Kartikeya, whose mount is a peacock

• The Khidirpur docks in Kolkata and the Dakshineswar Kali temple

Once completed, not only were Jagannath and I pleased with the painting, but the client and his wife were absolutely excited to have the commission hanging in their home at last.

As a gallerist, it was a very satisfying project. It helps tremendously when you have a client who is operating from a space of trust and faith, which gives the artist the freedom to follow their instincts and take the outcome to completely different heights.

If you are curious about commissioning artwork online or locally, please don’t hesitate to reach out to us at info@laasyaart.com or +1 650-770-9088. You can also read more on our guide to commissioning artwork with Laasya Art.

— Sonia Nayyar Patwardhan